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VILLA ADRIANA by MARINA DE FRANCESCHINI

FEDE NYMPHAEUM OF TEMPLE OF VENUS



Overlooking the Valley of Tempe. Count Fede built his Casino over its ruins

©MarinaDeFranceschini - Progetto Accademia

4 - FEDE NYMPHAEUM OR TEMPLE OF VENUS
Description
The Fede Nymphaeum [n. 4] stands on a panoramic terrace at an altitude of m. 81, which overlooks the Tempe Valley and is bordered by retaining walls (see no. 4a below).

In the center it has a circular Doric temple NF1, which has been partly reconstructed, and is surrounded by a garden area delimited by a semicircular portico NF3. 

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The Temple of Venus in the Fede Nymphaeum
 
A few fragments of its opus sectile pavement remain in place, with rectangular slabs of  slate bordered by slats of "giallo antico" yellow marble.The portico was accessed via two corridors NF6 and NF8, placed to the side of a central exedra NF7.

On the sides were instead two large semicircular exedras, with a central rectangular niche, NF4 and NF9. In NF4 part of the opus sectile pavement is still visible, with lozenges of giallo antico marble bordered by serpentine green slats.

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Opus sectile pavement in room NF4

The exedra NF9, on the other hand, was canceled by the construction of the Casino Fede: it was built by Count Giuseppe Fede who in the eighteenth century owned a great part of the Villa, where he made excavations. 
In the Casino he displayed his precious  collection of ancient sculptures, which was sold and dispersed after his death.

On the northern side, close to the Casino, there are other buildings which served to connected the upper level of the Temple (m. 81) with the lower one of the Palestra or Gymnasium (m 74). 
The building has incorporated a series of ancient rooms NF16-17-18. In room NF16 a beautiful stucco ceiling with traces of color is still in place. 
It was described by Contini and Piranesi and studied by Caterina Ognibeni of the University of Trento. 
Unfortunately it has never been opened to the public.

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The stucco ceiling in the Fede Nymphaeum

According to the plans by Contini and Piranesi, there is the so-called House of Architects NF18, one of the many buildings that Count Fede built on the Roman remains.
The complex stratigraphic relationships between the Roman structures and those of the eighteenth century have never been studied and surveyed in detail.

Function and meaning
 The Fede Nymphaeum had opus sectile floor (some fragments are restored in situ) so it belonged to the noble quarters of Villa, where the Emperor and his Court lived. 

During an excavation of 1958, a statue of Aphrodite of Cnidus was discovered, and the Temple was restored and partly rebuilt.  
Therefore  the building was a temple dedicated to the goddess Venus, inspired by that of Knidos. 

Goddess Venus was the patron of the Julio-Claudian dynasty, and the Temple recalls the divine origin of the imperial family, recalling the close ideological relationship between Augustus and Hadrian. 

Adriano in fact considered himself as the ideal successor of Augustus, because as him he had put an end to wars, consolidated the empire and started a vast program of construction of public buildings, bringing Rome back to its ancient splendor.

Recently, this interpretation has been criticized by Ortolani and Ensoli see Bibliography), who see an analogy between the semicircle of the Fede Nymphaeum and that of the so-called Serapeum in the Canopus. 
They believe that it was not a sacred building; in their opinion it had a residential use, the exedras NF4 and NF9 were diaetae, which could serve for banquets or to rest.

In any case, the Temple was a monumental and spectacular entrance on the eastern side of the Villa. 
It was decorated with fountains and waterworks, ubiquitous in Hadrians’ Villa, as happens today in the Villa d'Este in Tivoli.

SEE: Marina De Franceschini, Villa Adriana. Mosaici, pavimenti, edifici, 1991,  Ninfeo Fede, pp. 140-142 and 446-450. 


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